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1. #Korg wavestation factory reset Patch
2. #Korg wavestation factory reset full
3. #Korg wavestation factory reset pro

#Korg wavestation factory reset pro

Don't worry, I have calibrating the PRO 6 3 times, and the presets works great.Ĭlearly, the op system on my synth is corrupted. Mine creates a 2 oscillator, 1/2 step detuned and awful sound. PRESET/WRITE is supposed to make a "pure" sound, 1 oscillator, to help you to begin creating a program with a basic preset.

#Korg wavestation factory reset Patch

So i have to reload the patch number to have to right saved sound. But if the number is correct and the sound the same, the ADSR is totally wrong : a preset saved sound with very short sustain will have a VERY long sustain. GLOBAL 3 times in a row rightly save the current program as the default program when I turn on the PRO 6 again.

#Korg wavestation factory reset full

Still full of bugs and erratic behaviours. We've found following these steps works every time. * As well as the above parameters, please check ALL other parameters by PHYSICALLY changing them and you should be getting audio. If spring reverb is active with Mix setting of 100 and Param 1 has a value of 0 it will not pass audio * High Pass envelope amount should be set to 0 and high pass Cutoff is set to 0 * Set Amp Envelope Amount to max (set this to a fast envelope with Sustain at max too) If the problem is still there, set the instrument to live panel mode again and check all parameters to make sure they are at non-zero values such as: Start by turning off Preset, then initialize a Basic Program by holding the Preset button and pressing the Write button. Many of these sounds are staples of the mid-late 1980s.We've come up with a sure-fire checklist to get sound out of your Prophet-6 using live panel mode: Each diskette has the capabilities of storing up to 128 sounds (four banks (A, B, C, D each containing 32 sounds) The great thing is that all the new samples can be edited and modified via the internal VCF and VCA parameters – so the final result is often of very warm, analog character. I recorded a few examples from each diskette. I think many of these samples still hold up very well – after many years.

It is interesting to note how many of these original samples ended up in the ROM of very famous Korg synthesizers – especially the classic M1. This is the original Korg sound library for their DSS-1 Sampling Synthesizer. These can be used in a variety of ways, often contributing greatly to the general sound of the DSS-1. The effects include equalizer, and two DDLs (Digital Delay Lines). Once a sample/multisound is created, it’s possible to edit many parameters, including very good-sounding VCF and VCA. I am including a few audio examples from both the Additive and Hand-Drawn methods below in the review.

There are many parameters to shape the newly created waveforms. The DSS-1 can sample at four frequencies: 16kHz, 24kHz, 36kHz, and 48kHz.Īdditionally, the DSS-1 can create new waveforms (one full cycle only – turning on the loop on/off parameter is needed to hear anything), in two ways: Additive Synthesis, and “Hand Drawn” (moving slider A to shape the waveform). The DSS-1 allows a maximum of 16 individual samples (although you can stretch it to 30 splitting the oscillators), and it’s possible to use any sample, at any of the available frequencies, and/or mix and match with the created ones via additive/hand drawn. Like for the majority of samplers, it’s possible to assign (and split, layer etc) several individual samples to the keyboard (multi-sampling). These features add a great level of expressivity to this instrument. Keyboard controls include velocity, aftertouch, and key transpose – all programmable. The DSS-1 features the typical Korg joystick, perfect for controlling pitch-bend, vibrato, filter modulation and other effects. The internal memory of the DSS-1 can contain up to 32 patches at once, but there are four “Systems” named A, B, C and D (blocks of 32 patches each) on a disk, so one can save up to 128 patches on one diskette. This was a very respectable sampler for the time, and utilized 3.5″ double side/double density floppy disks – like many of its counterparts.

This is an extremely deep machine – the editing capabilities are endless! Here is the Korg DSS-1, an 8-voice, 16-oscillator sampler/synthesizer from the mid-1980s.